Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies.
Type the characters you see in this image:
Try different image
Conditions of Use Privacy Policy
© 1996-2014, Amazon.com, Inc. or its affiliates
GIANG DUY ĐẠT HÀ NỘIĐịa chỉ: 463 Giải Phóng, Quận Thanh Xuân
Điện thoại: 024-3869-2865 - 0966-275-848 091-892-6655 - 0912-999-677 [Zalo, Viber, iMessage]
Báo giá & Hợp đồng: kt.giangduydat@gmail.com
Phòng In ảnh - Chụp ảnh: 024-3869-2865
Phòng Sửa chữa & Bảo hành: 0904-551-862
Khiếu nại - Góp ý: 0912-999-677
Địa chỉ: 50/2 Trương Hán Siêu, Quận 1
Điện thoại: 098-532-1998 [Mr. Thịnh]
Manufacturer Canon Model EF 80-200 mm f/2.8L Lens style Telephoto zoom Focal length 80 - 200 mm Maximum aperture f/2.8 Angle of view 30.2 - 12.3 o Closest focusing distance 1.8 m Maximum magnification 1:7.69 Minimum aperture 32 Number of diaphragm blades 8 Auto focus type AF Lens Construction 16 elements / 13 groups Filter diameter 72 mm Macro No Available mounts Canon EF Dimensions 84 x 185.7 mm Weight 1330 g Additional information Marketed September 1989
Average rating [10 owners reviews]
- Giới thiệu
- Đánh giá [0]
Canon EF 80-200mm f/2.8L
Ống kính Canon EF 80-200mm f/2.8L là chiếc tele zoom hàng đầu thế giới vào thời kỳ hoàng kim của nó, và hôm nay vẫn là một trong những chiếc Zooms chuyên nghiệp tốt nhất và giá thành khá rẻ, ống kính với khẩu độ lớn F2.8, thấu kính chất lượng cao từ dòng Luxury đình đám của Canon, sự khác biệt duy nhất là không có tích hợp chống rung Image Stabilization nhưng ống kính này sẽ bán với một mức giá rẻ hơn so với những chiếc zoom mới nhất, và được chế tạo cứng hơn, vòng zoom to hơn và nhanh hơn Canon 70-200mm f/2.8L.
Thông số kỹ thuật
- Độ dài tiêu cự 80-200mm
- Khẩu độ mở lớn F2.8, nhỏ nhất F/32
- Ống kính Gồm 8 lá khẩu
- Ống kính xây dựng 16 thấu kính trong 13 nhóm
- Đường kính Filter 72mm
- Sử dụng Hood Canon ES-79
TIN TỨC MỚI NHẤT
Chuyên trang tin tức về nhiếp ảnh và máy ảnh, liên tục cập nhật các thông tin mới nhất về máy ảnh, ống kính, phụ kiện và điện thoại mới nhất. Tư vấn, hướng dẫn, chia sẻ cách chụp ảnh đẹp từ các chuyên gia.
Nội dung tìm kiếm ít nhất 2 ký tự
In an era of perfect everything, vintage lenses offer a unique perspective on image making. Many old lenses are built to last and are as good now as they were decades ago when they were first made. The Canon 80-200mm f/2.8 L is such a lens.
Physical Aspects
This tank of a lens was built in a way that modern lenses just aren’t. Big, heavy, solid, in many ways it was built to last. Ultimately though it’s probably not as survivable as later EF 70-200mm f/2.8 L’s. But this one feels every bit the part.
Optical Image Stabilization
Being 30+ years old, the lens was made before IS became available in Canon lenses. So, you’ll have to maintain the correct shutter speed when shooting with this lens. This can be a challenge when shooting in low light, but I don’t really have a problem with this overall. I can usually get shake free shots at 1/200th of a second if I’m careful.
Zoom Range
The range is a slight drawback being that it’s only 80-200mm. Of course, most modern zooms of this type are 70-200mm, or even 70-210mm. Tamron even makes a 70-180mm lens. The obvious difference is this lens doesn’t zoom out as wide as a modern fast zoom so if you’re using the typical f/2.8 24-70mm with this lens you may be missing the range from 70-80mm. If you’re annoyed by that Canon did make a 28-80mm f/2.8-4 L lens to go with this lens.
Focusing
Autofocus on this lens is a bit of a mixed bag. It is fairly accurate but also very noisy on the EOS R and R5. I tried this lens on an old EOS 1N RS though and was nearly as fast but a lot quieter. I didn’t get every shot tack sharp with this lens, but the majority of shots were very well focused.
Manual focusing is accurate and easy with this lens.
Optical Performance
Optically the lens is pretty good and comparable to a more modern 70-200mm lens when stopped down. Some people report that the lens is a little soft at 200mm wide open, that is probably true, but many 70-200’s are just a smidge soft at 200mm. I have two copies and one is a little sharper than the other. Stopped down to f/4, it is sharp. Below are a series of shots at different apertures demonstrating basic sharpness, bokeh, and vignetting.
Wide open the lens does have some vignette in the corners, especially at 200mm. Portrait shooters will probably appreciate a little vignette in the corners, but landscape shooters might not. The good news it clears up when stopped down to about f/5.6.
There is some CA present wide open at 80mm, but it’s most evident in worst case scenarios like shooting tree branches against a bright sky. At 200mm the CA is well corrected on my copy. Check out these two example images at 80mm and 200mm.
Focus Breathing
The lens has substantial focus breathing which is sure to bother some people. It’s different from the newer RF 70-200mm in that it breathes longer as you focus closer. While the minimum focus distance is a fairly big 1.8 meters, the fact that it breathes to a longer focal length negates that somewhat, and it also means that zoomed in to 200mm there’s usually a lot of pop off the background at portrait distances even if you can’t get as close as you might want.
Bokeh Quality
The bokeh on the lens is great, especially up close. I think that aspect of this lens is one of my favorite things about it. It’s a “character” bokeh that is bordering on distracting sometimes but for the most part is dimensional and has a distinct optical quality to it that is rare these days.
Color
Shooting on the EOS R I felt like the colors on this were as expected, decently accurate but overall subdued and natural looking. On the R5 however images were coming through with near nuclear saturation levels. Which you prefer is up to you, I’m sure you can pick out which files are which in the gallery below.
Decentering
I actually have 2 copies of this lens and both of them are decentered which is visible at f/2.8 when focusing on flat subjects. The fact that both of them have it leads me to believe the lens has probably gone out of alignment for one reason or another. The issue is mild enough that stopping down removes most evidence of the decentering. I won’t say it can happen to any lens, but I will say some expensive modern lenses I have purchased new had centering issues as well.
Where’s the “magic”?
The magic is simply that it was a telephoto zoom with prime level performance for the time. Many prime 200mm lenses in the 1980’s were only f/2.8 anyway so having a zoom lens that was sharp AND was a zoom AND was f/2.8 throughout the range, that was basically “magic” according to the standard of the day.
Conclusion
One thing this lens proves is that the new RF cameras are impressively flexible in what lenses they can work with. That much is certainly true. The fact this old banger still works is a minor miracle. It’s fun to be able to take an old lens from so long ago and use it with no trouble at all. Another thing this lens showed me is that even an old, loud, slow focusing lens like this can take pretty nice pictures. Not every shot will be money, but it is good enough to at least get some of those coveted money shots.
Rating
Overall: 3.0 out of 5: Certified BRONZE
Canon EF 80-200mm f/2.8 L Sample Images
Canon EF 80-200mm f/2.8 L Sample Video
The video is shot in 4k on the EOS R which has a 1.8x crop in its 4k video mode. With the crop the effective focal length is 360mm. The good news is the lens is still very sharp in the center of the frame.